An Effective auditorium design should address the following goals:
Speech, vocal performances and music should all sound clear (intelligible) rather than distorted or echoey (hollow).A state-of-the-art approach to Auditorium Acoustics
Live Acoustics offers a state-of-the-art approach to refurbishment or development of new performance spaces. Auditoriums, multipurpose rooms and performance space acoustics are unique and complex because many different elements are required of a space for multipurpose scenarios. The speech, vocal and or instrumental music all need something different. If staging a production, the cast may have to shout, or whisper, or a combination of both depending where they are on-stage. For musical or vocal production, is the acoustic too dry (too short reverberation time) or too wet (too long reverberation time)? Are there areas within the space that are ideal (acoustic-sweet-spot) to sit, while others (excessive reverberation) are to be avoided at all cost?
In any enclosed space, there is sound distortion due to the particular characteristics of the room. Certain frequencies, called resonance frequencies, are amplified much more than other frequencies and can severely distort sound. Design techniques range from the standard and basic acoustic reverberation time analysis and calculations, up to the most advance cutting edge and state-of-the-art acoustic modelling, simulation and real-life sound auralisation.
Basic diagrams showing sound reflection in an auditorium
Acoustic Clarity is how clear the sound wave is. It ranges between clear or muddy (lack of clarity). Acoustic clarity determined by the percentage of initial versus the delayed sound energy. The initial energy is less than 50 milliseconds while the delayed sound energy is greater than 50 milliseconds. 50 Milliseconds is the threshold for speech intelligibility and 80 milliseconds is the threshold for music.
Privacy describes being unable to hear other people’s conversation in an open space or not to have other people overhear your conversation. Speech privacy can be important specifically if the conversation is of a sensitive nature.
The physical volume of the space and the surface materials determine a room’s Reverberation. A, school gym is a good example of a large space with hard and reflective materials (timber, glass and metal). These hard materials are 'reflective' because less energy is absorbed when sound bounces off the surface. These reflective surfaces mean that the sound travels much longer and so, the space sounds ‘hollow’ or reverberant. In contrast, a recording studio example has a much smaller physical volume and is clad in soft, absorptive materials. These materials absorb sound, meaning that less sound energy is reflected back or bounces off the walls into the room.
Live Acoustics provide a comprehensive service to help you refurbish or develop your auditorium, multipurpose room or performance space.Live Acoustics provide a comprehensive service to help you refurbish or develop your auditorium, multipurpose room or performance space.
High Sound Absorption is very important in open office spaces, lobbies, passages, boardrooms and theatres where people need to talk normally without affecting others in the rest in the space.
High Sound Absorption distributed throughout the space also significantly reduces flanking noise between rooms, so people can easily talk to each other without disturbing people in the room next door.
Sound absorption is the measure of the energy removed or energy reduction of the sound wave as the wave passes through a given thickness or type of material. Sound absorption is necessary for soundproofing.
While distributing the sound wave into an absorbable material, the sound wave in addition to absorption could also experience sound wave reflection, as energy dissipate and displaces. Dampening or vibration or energy loss results as the energy-dissipated is converted into heat.
Soundproofing makes (a room or building) resistant to the passage of sound or prevents sound from traveling. Soundproofing products block sound from leaving or entering a room, and consist of dense layers inside walls, between floors and above basement ceiling drywall.
Soundproofing ideally occurs in early construction, as it can be a challenge to soundproof a room once the construction is completed.
Sound absorption involves the absorption of sound. Sound absorption happens when the sound waves is absorbed by a material Sound absorption enhances the space’s sound quality as it reduces unwanted noise and dampens sounds, like echoes and reverberation vibration. Sound absorption products can be temporary and non-permanent, unlike soundproofing products (and layers). Acoustic fabric wall panels are one such sound absorption product, and this is our focus in this feature.
Sound is created by the vibration of substance and is spread by sound wave produced through the sympathetic vibration of the medium. When sound is spreading, part of it is gradually diffused and part of it is weakened due to the absorption of air molecules, which are more apparent in the open air; but in indoors sound is much less diffused or weakened, instead it is mainly absorbed by the surface of materials.
When a sound wave meets the surface of a material, part of it is reflected, part of it passes through the material, and the rest of it is transferred to the material. The part of sound wave transferred to the material enters the pores of the material and causes the friction and viscosity resistance between the air molecules and the wall of pores, thus certain part of sound energy is converted into heat energy and is absorbed in this way.
The sound absorption coefficient is used to evaluate the sound absorption efficiency of materials. It is the ratio of absorbed energy to incident energy and is represented by α. If the acoustic energy can be absorbed entirely, then α = 1
NB: The air gap between the acoustic layer and the space behind increases the sound absorption coefficient value in the mid and higher frequency ranges
The density of the acoustic material is also important. Less dense and more open structures absorb the sound of low frequencies (500Hz) while the denser structures perform better for frequencies above than 2000 Hz range
The fact that you can hear sounds 'around corners' and 'around barriers' involves both diffraction and reflection of sound. Acoustic diffraction helps sounds 'bend around' corners or through door openings, allowing us to hear others who are speaking to us from adjacent rooms. A great example of acoustic diffraction is ripples of water reaching an object or obstruction of different sizes. Wave formation 'bend around' varies. All waves display diffraction, not just sound waves.
Sound waves reflect off harder surfaces the same way snooker balls bounce off the edges of a pool table—the angle of incidence equals the angle of reflection. A sound wave hitting a flat wall at 45° will reflect off it at 45°. These bounces will continue back and forth until the sound wave has dissipated by inefficient reflection (called damping) of the surfaces along with the normal dissipation of the sound waves themselves.
A NRC is an average rating of how much sound an acoustic product can absorb. An NRC of zero means that the product absorbs no sound. An NRC of 1 means that the product absorbs all the sound. The higher the NRC, the better the product is at absorbing the sound.
A .90 or .95 NRC rating. A Noise Reduction Coefficient of .90 or .95 means our panels are big sound absorbing sponges, absorbing 90% or 95% of the noise, creating a more pleasantly sounding environment.
Formaldehyde is a colourless, strong-smelling gas. It is widely used in the manufacture of building materials and many other household products.
Some unfortunately are still using it in homes as an adhesive resin in some compressed wood products. Building materials made with formaldehyde resins can radiate formaldehyde gas.
Formaldehyde exposure has various bad side effects Formaldehyde has a link to some forms of cancer in animals and humans.
When present in the air at levels at or above 0.1 ppm, acute health effects can occur including watery eyes; burning sensations in the eyes, nose and throat; nausea; coughing; chest tightness; wheezing; skin rashes; and other irritating effects. The World Health Organization recommends that exposure should not exceed 0.05 ppm.
Volatile organic compounds (VOCs) are emitted as gases from certain solids or liquids. VOCs include a variety of chemicals, some of which may have short - and long-term adverse health effects. Concentrations of many VOCs are consistently higher indoors (up to ten times higher) than outdoors. VOCs are emitted by a wide array of products numbering in the thousands.
Organic chemicals are widely used as ingredients in household products. Paints, varnishes and wax all contain organic solvents, as do many cleaning, disinfecting, cosmetic, degreasing and hobby products. Fuels are made up of organic chemicals. All of these products can release organic compounds while you are using them, and, to some degree, when they are stored.
The method used to calculate how much sound is reflected in a room by using a metric called the absorption coefficient. The Absorption Coefficient measures of how much sound is absorbed, and is not reflected.
The absorption coefficient ranges between zero and one, one meaning no sound energy is reflected and the sound is either absorbed or transmitted. For example, an opened exterior window has the absorption coefficient of one because no sound returns to the room. An effective absorber will have a sound absorption coefficient greater than .75.